
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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地狱之门:耶路撒冷
耶尔·格洛格拉斯,Yon Tomarkin,Danielle Jadelyn,Dibi Ben-Yosef,Ido Di Capua,Geri Gendel,Tom Graziani,Fares Hananya,Steven Hilder,Yoav Koresh,Sarel Piterman,Mel Rosenberg,Howard Rypp,Ami Smolartchik,Itsko Yampulski
耶尔·格洛格拉斯,Yon Tomarkin,Danielle Jadelyn,Dibi Ben-Yosef,Ido Di Capua,Geri Gendel,Tom Graziani,Fares Hananya,Steven Hilder,Yoav Koresh,Sarel Piterman,Mel Rosenberg,Howard Rypp,Ami Smolartchik,Itsko Yampulski
2015/以色列
/英语

海底城市
文森特·普莱斯
文森特·普莱斯
1965/英国
/英语

恐怖高速
艾琳·迪茨,西蒙·飞利普斯,Shannon Dalonzo,约翰·D·希克曼,贾斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo
艾琳·迪茨,西蒙·飞利普斯,Shannon Dalonzo,约翰·D·希克曼,贾斯汀·戈登,James Politano,Jessica Gray,Briahn Auguillard,Robin Bookhout,Heather Rozzo
2023/美国
/英语

蝙蝠
文森特·普莱斯,阿格妮丝·摩尔海德,加文·戈登
文森特·普莱斯,阿格妮丝·摩尔海德,加文·戈登
1959/美国
/英语

火星地
Lane Townsend,阿兰·皮特鲁塞泽维斯基,Jennifer Dorogi
Lane Townsend,阿兰·皮特鲁塞泽维斯基,Jennifer Dorogi
2015/美国
/英语

接吻启示录
D.C. Douglas
D.C. Douglas
2014/美国
/英语

异星怪兽之荒野求生
历家兵,李曼,穆佳男,诺瑶,周越
历家兵,李曼,穆佳男,诺瑶,周越
2020/大陆
/国语

史前狂鲨
Leighanne,罗宾·萨奇斯
Leighanne,罗宾·萨奇斯
2002/美国
/英语

血忌
暂无
暂无
2022/马来西亚
/英语

禁欲主义者
乌维鲍尔执导,爱德华·福隆,Sam Levinson
乌维鲍尔执导,爱德华·福隆,Sam Levinson
2009/美国
/英语

异星入侵:凤凰出山
2025/美国
/英语

蓝甲虫
2020/美国
/英语
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.